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Are you thinking about getting a tattoo? With the rising popularity of tattoos in North America, chances are that at one time or another you have considered getting a tattoo. Before getting a tattoo, however, it is important to fully understand the process so you can assess the risks and make sure that you end up with a tattoo that you will be happy with for years to come.

What is a Tattoo?

You of course know what a tattoo is, that is why you want to get one. You may not be sure how a tattoo is created, however. Despite what it looks like, a tattoo is not drawn onto your skin. Instead, a tattoo is created by using an electric tattoo machine to inject pigments under your skin. The fact that you are having implements put under your skin means that getting a tattoo can be risky.

Making Sure Your Tattoo is Safe

You can be exposed to a number of health risks when getting a tattoo because the process involves breaking your skin. This leads to two possible problems: infectious diseases and allergic reactions.

The most significant risk in getting a tattoo is catching a blood-borne infection such as tetanus or hepatitis, or even HIV, in the worst situations. You run the risk of becoming infected if an instrument is used on you that had residue blood on it from a previous patron who carries a blood-borne infectious disease. While the potential of contracting a fatal disease just to get a tattoo may seem scary, in reality the risk of catching an infectious disease can be largely minimized in professional tattoo parlours. This is done primarily through the exclusive use of single-use tools. This means that blood will not be passed between patrons.

A less significant risk is that the trace metal elements in the tattoo pigments, particularly in red and green pigments, will cause an allergic reaction. While obviously not as serious as contracting a communicable disease, having an allergic reaction to the tattoo pigment can cause the skin around the tattoo to swell up and become itchy, and even to start to ooze fluids in more serious reactions. While allergic reactions are rare, if you have sensitive skin and are concerned about a potential reaction, have your tattoo artist to first do a spot test to ensure that you are not allergic to any particular pigment.

Finding a Good Tattoo Artisit

The most important step in finding a good tattoo artist is to look through their portfolio and make sure that their style and skill is up to your standards. You will have this tattoo for a while, so you need to be comfortable that your tattoo artist can create something you will be happy with. For a safety reasons, it is important to make sure that you only use tattoo artists that are fully licensed in your jurisdiction. Because they are licensed, they will likely have gone through a series of courses on the importance of cleanliness and hygiene. Do not, however, just rely on their license. Make sure that their studio is professional and clean. If they have a messy workspace, they will probably not be as concerned about cleanliness as they should be.

Are Tattoos Forever?

While tattoos will fade over time, this is a very drawn out process that cannot be relied on to quickly remove a tattoo. That means, in order to avoid embarrassment, make sure you only get a tattoo that you will be happy having for the rest of your life. Of course, in egregious situations, a laser treatment can be used to accelerate the natural fading process. This process, however, is not perfect, requires repeated visits to the technician, and in rare situations can even cause permanent scarring. Which is all to say that it is easier to make sure you will be happy with your tattoo before you get it.

Steve Dolan has always been intrigued by tattoos. To find out more go to http://www.funtattoosweb.com For family fun try face painting at http://www facepaintingweb.com

So you’ve always wondered what it would be like to be an artist and show and sell your work around the country at weekend art shows. Here are some tips that can increase your chances of succeeding.

1. Visit the Art Shows First -
You may not always have the luxury of visiting each and every art show before you apply for acceptance. After all, if you visit before applying, you’ll have to wait another year to participate (if you are accepted) and most of us are not that patient.

However, when you can visit the show first and talk to participating artists, you will get a feel for whether or not this is a show in which you wish to participate.

Be up front with the artists that you talk with and ask a few questions. Most will be happy to answer your questions if they sense your honesty and sincerity and you don’t distract them from those who visit their booth. After all, they are there to show and sell their work, not to act as your show researcher.

With their permission, ask how long they have been doing these types of shows? Is this considered a good show? Was it hard to get in? Is the fee reasonable? How is the attendance? Are the show hours long enough, too long, or just right? Was the set-up and take down schedule suitable? What do you like about this particular show? What do you not like about it? Do you plan to return next year?

There are a number of other questions that could be asked, but please respect the artist’s time.

Some events that bill themselves as art shows or even arts and craft shows end up with a lot of questionable “art” booths that are not really art at all. If the “art” show has more than it’s share of artists who make foam rubber alligators on a coat hanger or rubber band gun crafters, it’s probably not that high quality of art show. That is not to say that there is not a place for these products.

There are many large festivals that attract huge crowds that have all kinds of vendors from artists and crafters to cosmetic salespeople to sausage-on-a-stick vendors. Don’t knock these venues, just be aware that you will encounter a lot of folks at these events who may have little or no interest in your art. The good thing is that you will encounter a lot of folks and sometimes that’s what it takes to find a few gems who will make your efforts worthwhile. I have experienced successes at both types of venues and I have come up short on occasion, as well.

On the other hand, a juried event will elevate the level of quality work that is shown, which should attract an audience that has a greater appreciation for art. It may reduce the number of attendees, but those who do attend may be a more “qualified” audience. By qualified, I mean that they not only have a greater appreciation for art, but hopefully the means to purchase it if they like it.

Once you have determined that you want to participate in a particular show or festival, here is what I think is vital to your success both as an artist and as a businessperson.

2. Have a Consistent Body of Work -
Even though you may be good at every artwork you ever produce, your audience of potential purchasers/collectors will likely identify you with a particular subject, a color, a style, a medium, a method of presentation, etc. Show a lot of whatever you enjoy doing the most and a lot of what seems to be connecting with folks the most.

A bunch of random paintings of various subject matter with no distinctive style or color pallet in cheap mis-matched frames will not likely hold a potential buyer’s attention for long, even if the paintings are good. A hodge-podge of sculptures that look like they were made by ten different sculptors will not likely enhance your reputation. This randomness does not help to identify what you are all about.

I’m not advocating that you never try anything new or experimental, but you must make your art memorable to gain any kind of following. Consistency is the key. Look at the work of some of the more successful artists that you admire. What ties their work together and identifies it as their own? Subject matter or theme, style (the way they paint or sculpt), choice of colors used, size, framing? Any and all of these characteristics may apply. Don’t copy their work, but learn from it.

If you are doing work that connects with an audience, folks will seek you out to buy your art, even after the show is over. It’s happened to me many times.

3. Have Varying Price Points -
Whether you choose to show only originals, or limited editions, or a combination is often dictated by the show guidelines. Sometimes, it is entirely up to you. If you have a body of work that connects with viewers, it obviously would be desirable to sell some of it.

If you limit your offerings to large, expensive (whatever that means to you) original works, your potential market will be smaller and you will eliminate a number of folks who, otherwise, might like to purchase. That may be OK if your work is selling for the prices you want on a regular basis.

However, my experience is that having artworks at several price levels makes it possible for purchasers/collectors to enjoy ownership of some of my art in the “now” until they are ready to move up to more collectable, thus more expensive and profitable, pieces.

This might be achieved through offering a number of sizes of original works, offering print or sculpture editions in two or more sizes, having some limited editions and some less expensive open editions, or even offering gift type products such as note cards or calendars with your art reproduced on it (if the show allows it).

While it’s true that some will never purchase anything of significance, others may use this as a stepping stone to begin their collection of your work to whatever extent they can afford.

Your job after that purchase is to keep these lower end purchasers (as well as all of your purchasers) informed about you and your art through mail outs, newsletter, website, newspaper or magazine articles, or however you can to let them know you appreciate their business and look forward to seeing them someday own some of your better art pieces.

They are more apt to desire to own more of your art when you show your appreciation for their purchase and they know more about you and your progress as an artist.

4. Have a Clean and Attractive Display Booth -
There are a few generally accepted artist booth set-ups that are used at most quality shows. The standard size booth is often a 10×10, so many canopies, or tents, are made to this size. EZ Up, Flourish, ShowOff, and a few others seem to be the most popular.

As your inventory and sales increase, you can always add on for a double booth space, when available. Though some brands of tents come in a myriad of colors, a white top is recommended.

Some shows won’t accept anything else. Choose the one that suits your budget and make sure it has adequate sidewalls and leg weights in the event of inclimate weather. If you show long enough, you will experience inclimate weather.

The actual racks that you hang your work on or use as a background might be metal grid type panels such as those made by Graphic Display Systems, or carpeted type panels such as those made by Pro Panels, or mesh netting made by Flourish.

Get what you can afford and upgrade as sales allow.
An indoor/outdoor carpet or other ground covering is a nice added touch if it enhances your booth and does not distract from your art.

Have a focal point in your booth, a “whopper,” a signature piece, or something that stops the show attendees in their tracks so that they will want to come in and see what your art is all about.

I hang a matted and framed 24×36 limited edition of my signature piece above a custom made credenza (that is on wheels, but the wheels are camouflaged) right in the middle of the back wall of my booth.

This popular image is what I am most identified with as it has become my best selling print. Since I have started doing this, I have seldom failed to sell one of these framed prints. The credenza also tastefully displays very small pieces such as note cards, hand painted tiles, and a guestbook for addresses and e- mail addresses (my favorite way to contact folks).

Inside the drawers of the credenza are my change (keep adequate change), sales tickets, credit card forms (in my opinion you must accept credit cards for higher end items), tape, string, insect repellant, business cards and brochures, and extra hang tags for my framed pieces. Underneath are unframed prints ready to replenish my print rack when one is sold.

All of my work that is hanging is framed (with the exception of an occasional gallery wrap canvas) in similar style frames with brass nameplates to enhance the value and identify the title of that piece. All unframed prints are sleeved in clear bags that have an adhesive flap to seal them and placed in a browse rack.

Have a tool box to contain such items as pliers, hammer, nylon connectors, wire, duct tape, clamps, small broom and other miscellaneous items that you may need over the course of the show.

Once you have shown a few times, you will get an idea of what items are useful. Keep this and anything else that might distract from your art out of sight as much as possible.

5. Give Your Potential Customers Room -
I have noticed that more people will actually come inside my booth exhibit and look longer if I stay outside my booth until I sense an interest in my work. I try to be very attentive, but I will only approach a visitor when I sense some kind of interest, however slight.

Do not block your entrance by positioning yourself and your staff or friends and family where no one can walk in and look around. Even if there are two of you and each is sitting at the side near the front of your booth, there seems to be an invisible barrier through which visitors will not pass.

I have seen other ideas of where the artist(s) position themselves to encourage better “booth visitation,” and in a larger booth than 10×10 I could see where sitting over to the side at the back of the booth might work well.

However, in my own personal booth I don’t want my face to compete with my art. At this point, I am only incidental to the art.

I created the art and I answer any questions and take the money. Otherwise, I don’t want to get in the way. Yes, I want the customer to remember me, but I first want them to see my art. When you make a sale of any significance, follow up with a handwritten thank you note.

Showing and selling your work at outdoor art festivals is hard work often accompanied by some expensive lessons. However, when you finally make that connection with folks who like your work and are willing to part with their money to own some of it, the rewards can be great, both financially and artistically.

Neil Lemons represents The Texas Artist Industries a professional eight year-old Texas fine art painting company. For more information, visit http://www.atexasstateofmind.com.

Welding is the process of getting metal surfaces to join together by using high heat to melt them together. Vices are often used to hold the pieces of metal until they have molded together. Welded metal is very strong and it is often hard to tell if two pieces of metal have been welded together. This process of welding is used in industry all the time. It is much stronger than solder or other joining techniques.

There are many types of welding. Forged welding was used by blacksmiths to put two pieces of metal together. They would get the metal hot and use a hammer to make it go together. This is believed to be the first type of welding ever used. Arc welding is commonly used today for construction and in home workshops. This type of welding uses a power source to make an electric arc.

Spot welding is a form or resistance welding. This is commonly used in businesses and on sheet metal. This type of welding allows you to weld a particular spot that other types of welding can’t get done without getting the entire surface area hot.

The type of welding you will use depends on many factors. The important thing is for the weld to be amazingly strong. Factors to consider include the amount of heat needed to get the materials hot enough, the design of the material, and the design of the joint. It is important to test the strength of the weld. Not all metals hold a weld very well. Steel and sheet metal work best.

Since you will be working with heat and often with metals that have sharp edges, it is very important that you wear heavy gloves and eye protection when you are welding. You should also wear long sleeved clothing to prevent burns. You should only use welding equipment after being properly trained in how to operate it.

Metalwork is the art of making various objects out of metal. Most metalworkers are also called machinists. They make pieces of structures or machine parts also called metalworking. This is quite a complicated job that requires patience, precision, and some concrete math skills in geometry. Luckily most machine shops have computers that will do most of the calculations for you.

There are many types of skills a metalworker needs to have to be able to design all of the various structures and machine parts needed. Milling is the process of removing the unneeded edges of a piece. Turning involves using a lathe that spins; the metalworker gets to shape the metal as it spins. Cutting involves using various tools depending on the cut you want and the type of metal you are working with. Drilling is the process of creating holes in the various machine parts. Grinding will help remove sharp edges giving the machine piece a smooth finish.

Depending on the reason why you are creating the metalwork, it may be necessary to use casting methods. Welding is commonly in metal working as well. This is a trade that requires you to have various skills with tools and knowledge of how those tools can be used on various types of metals.

It is important to be safe doing metalwork as well. The metal used is often scrap metal that was discarded so wear gloves to protect against sharp edges. Make sure you know how to properly use the metalworking tools. You should always wear eye protection to prevent getting pieces of metal in your eyes. Metalworking fluids should only be used in a well ventilated area with gloves to prevent a reaction to your skin. Stop working with metalwork fluids if you develop bronchitis, asthma, or respiratory problems. To prevent them, consider wearing a respiratory mask.

Get Perforated Sheets for your metalworking projects at http://actis.nelweb.biz/perforatedsheets.htm

The word belly dance, is a western name for an Arabic style of dancing. In Arabic countries it is simply called oriental dance and some American enthusiasts call it Middle Eastern Dance.

Belly dancing is a form of dance that is not so widely acknowledged in America and other countries, but there is still a large following in the vast ethnic sector. There is a lot of debate in the community as to the exact origin of belly dancing. Some believe it descended from early Egyptian dances, others say it is derived from religious dances and some say it comes from the migration of the Roma people, with Indian origins. No matter where it comes from, the fact remains that it is an exquisite form of dance and its popularity and following grows every year.

Belly dancing is a great way to increase fitness. It is a very active and energetic style of dance, which elevates the heart rate and increases cardio vascular ability, so one of the many benefits of this form of dance is to elevate fitness level, and burn fat. It also helps to stretch the muscles, and limber the joints up so that the participant becomes more nimble and agile. With these two health related factors, it shows us that it’s a great hobby for those with a few extra years on the clock to keep them young and vital, and also just for the general health of people of all ages.

This style of dance can be tailored to suit anyone’s personal abilities, so that it is not overly strenuous on the cardio vascular system, or on the stretch in the muscles. The fat loss aspect is something that belly dancing has actually been manipulated for. Some fitness experts have used belly dancing in personal training regimes to help a client lose weight effectively. This is possible because it is a fun activity, so the client will be happy to perform a certain amount of belly dancing practice each day to work towards their fitness and weight goals.

Males in belly dancing are not very common however there are some males in this form of dance that are very masterful at the art. Even though they are amazing in their performance, they are sometimes not looked upon with much respect in the belly dancing community, as it was an art created by women, and was not intended for men to perform. This topic is one of much debate with the introduction of women’s rights, why shouldn’t men be able to do the same things women can do, and so on.

All these factors make belly dancing an ideal activity for anyone of any skill level or age. It is both fun and good for physical fitness, so there is a number of positive’s and no negatives. Give it a try!

If you want to know more about Belly Dancing, including free information, reviews and much more, then please visit http://www.bellydancingmastery.com

The Renaissance is widely considered by many to have been a historic age, this period of time came after the Middle Ages but before the Reformation in historic hindsight, but the Italian Renaissance of the 15th century is connected with the absorption of knowledge by Western influences.

Especially the various realms of mathematics from the origins of Hindu India, the importance of living well in the present through humanism, and the explosion of knowledge brought about by the invention of printing that allowed many to understand the world around them.

As for the art of the time, the Renaissance boasted many of the most important artists to have been culled from the public consciousness; such as
Leonardo da Vinci, Donatello, and Michelangelo, and has come to represent a golden era of time in which many people found themselves enlightened as to the state of world affairs and their own internal issues as well. Much of the art to come out of the Renaissance has been described as being the turning point for a large amount changes in the way things worked, and much of this is due to the previously mentioned artists and their now priceless
works.

The Renaissance has seemed to donate quite a bit to our culture as it now stands, even though a new age of Renaissance has yet to be really hinted at, and much has collected throughout the years to show the validity within this age of progression in all avenues of interest. It is the Renaissance that
has propelled the many ages to follow into their current state, with much praise being accrued to the many pioneers which pushed this age to a close,
but their impact is felt in the architecture and artwork of our time through the striking ways in which they moved everything forward by leaps and
bounds.

Much to come from the years within the Renaissance, whether it would be philosophically or in the aesthetics that claim to hold sway in the multitude of artistic pursuits to have arisen, but from there it has only been elaborated upon. Creating an established amount of history from which to draw upon, and it is these things which man claims to call art which seems to have truly revolutionized the world in which we live and strive every day.

There are many things out there today that we have come acknowledge as fitting into the categories encompassing the realm of art, these areas in particular range the gamut from paintings and sketches to sculpture and architecture, but all these things have the common central idea of expressing an artists interpretations of the world both within and without.

T J Madigan has been established in online business since 1998 and is director of a number of successful online projects one of which is http://www.articles.net.au your best source for FREE and articles and information.

You can travel almost anywhere in the world, and you will probably see graffiti. Although graffiti art is usually more common in big cities, the reality is that it can occur in almost any community, big or small.

The problem with graffiti art is the question of whether it’s really art, or just plain vandalism. This isn’t always an easy question to answer, simply because there are so many different types of graffiti. Some is simply a monochrome collection of letters, known as a tag, with little artistic merit. Because it’s quick to produce and small, it is one of the most widespread and prevalent forms of graffiti.

Although tagging is the most common type of graffiti, there are bigger, more accomplished examples that appear on larger spaces, such as walls. These are often multicolored and complex in design, and so start to push the boundary of whether they should really be defined as graffiti art.

If it wasn’t for the fact that most graffiti is placed on private property without the owner’s permission, then it might be more recognized as a legitimate form of art. Most graffiti art, however, is only an annoyance to the property owner, who is more likely to paint over it or remove it than applaud its artistic merit.

Many solutions have been put into practice around the world, with varying degrees of success. Paints have been developed that basically cause graffiti paint to dissolve when applied, or else make it quick and easy to remove. Community groups and government departments coordinate graffiti removal teams.

In some places you can’t buy spray paint unless you’re over 18. Cans of spray paint are locked away in display cases. In a nearby area the local council employs someone to go around and repaint any fences defaced by graffiti. A friend of mine has had his fence repainted 7 times at least, and it took him a while to find out why it was happening! Certainly the amount of graffiti in my local area has dropped substantially in the last year or two, so it appears these methods are working to a great extent.

But is removing the graffiti doing a disservice to the artistic community? Maybe if some of the people behind the graffiti art were taken in hand and trained, they could use their artistic skills in more productive ways. It hardly makes sense to encourage these artists to deface public property, and so commit a crime. But perhaps there are other ways to cooperate with the graffiti artists rather than just opposing them. Graffiti artists can create sanctioned murals for private property owners and get paid for it.

Maybe we need to start at a very basic level, and find a way to encourage the creation of graffiti art on paper or canvas, rather than walls. After all, who would remember Monet or Picasso if they’d created their masterpieces on walls, only to have them painted over the next day? Finding a solution to such a complex situation is never going to be easy, but as more graffiti art is being recognized in galleries around the world, we do need to try.

Steve Dolan loves art in various forms and mediums. Find out more about graffiti as an art form at http://www.graffitithis.com and if you have art that needs framing visit http://www.pictureframesweb.com.

Photo mosaics are rising in popularity all over the world. You have probably seen one somewhere such as in your child’s school, your local library, a medical office or elsewhere. They are beautiful, large photo mosaics that will catch everyone and anyone’s eye. You just can’t take your eyes off of these wonderful photos. There is so much to look at and so much to discover in a photo mosaic.

So, What is a Photo Mosaic?

A photo mosaic can also be known as a Photomosaic. This is a type of imaging art that is completely unique from the rest. A photo mosaic is usually made from a digital photograph ‘ this would be the best type of image to use. You could also use another type of picture, but for the sake of this article, we will focus on creating photo mosaics from a digital photograph.

To begin, the photograph needs to be divided into equal rectangular sections, as small as you want them to be. They should be small enough to create a great visual effect, but not too small so that someone looking at the finished project could not see them. They also should not be too large, because then it would look a little odd and probably not create your desired look.

Every one of those rectangular divisions will be replaced by another image with normal colors. When you look at the image at a distance (let’s say you are using a digital photograph of your favorite cat to create a photo mosaic) you would only see the cat. However, you might notice that the photograph’s resolution is a little off, or that something seems to be different about this photograph. When you stand close to the photo mosaic you will notice that there are many different photographs infused within the photo itself. How interesting!

You can use many kind of photos for the mosaic part of the digital photograph you want to. For example, in your favorite cat’s photo mosaic you could use many different photos of your cat to make up your photo mosaic of your cat. So, when you see it from a distance, you will see a large photo of your favorite cat. However, when you look closer you will see many different photos of your cat doing other things in the equal rectangular sections!

Who Invented the Art of Photo Mosaics?

There is no real known inventor, but one man that is believed to be the inventor of photo mosaics. His name is Joseph Francis, and he created a photo mosaic in 1993 while working for R/Greenberg Associates in Manhattan. He made a poster known as the ‘Live From Bell Labs’ created a lot of talk. He created the photo mosaic from a photo of a face. However, his photo mosaic was inspired by an artist by the name of Chuck Close.

How Can You Make Your Own Photo Mosaic?

You can create your own photo mosaics to decorate your home, give as gifts and more. You will need some certain supplies to make a photo mosaic.

Supplies -

A digital camera
Appropriate software
Good color printer
Your one photograph
The other photos you will be using as the smaller images.

There are quite a few different kinds of software that have been created to help you create your own digital photo mosaic.

Here are some software to choose from -

For Windows:

AndreaMosaic

Imosaic

PhotoMosaic

PicToBrick

For Mac:

MacOsaix

PicToBrick

For Online:

Mosaicr

Mosaickr

There is a lot of software to choose from when looking for something to help you create a photo mosaic. However, if you know that you are going to be creating a lot of photo mosaics, you might want to have a company take care of all of it for you. They should be able to print and mail it for you, as well.

Decorate your home and wow your guests! Give one as a gift and be remembered. Your own digital photo mosaics will probably be very personal to you, and you will be able to enjoy them for a long time. If you are going to give one as a gift, it will also likely be personal and dear to the person you are giving it to. Photo mosaics can be a way to easily decorate your home that will add a personal touch to your walls. It will definitely be quite the conversation piece when you have guests, friends or family over to visit.

Get your own Custom Photo Mosaic design on our Photo Mosaics website: http://www.designamosaic.com